American Literature Web Resources

American Literature Extra Glossary Terms

 
Allegory:  one to one simplistic representation within a defined system  (for example, Faith in Hawthorne's "Young Goodman Brown")
 
Ambiguity: the expression of an idea that gives more than one meaning and leaves uncertainty as to the intended significance of the idea or statement [adopted from Holman].
 
Apollonian/Dionysian :  Nietzsche's terms to contrast elements of the Greek god Apollo, reason, culture, and moral rectitude with Dionysus, the god of wine, who stands for the irrational and undisciplined
 
Arabesque/Grotesque: Poe's terms to contrast stories with an element of wonder (arabesque) with stories that had an element of horror (grotesque)
 
Associated Sensibilities (Edwards):  knowing God as a "sweet," one can feel thoughts and think feelings; a critical term from T.S. Eliot
 
Bourgeois literature: literature produced to appeal to the middle class reader.
 
Burlesque (Thorpe/Twain): "a form of comedy characterized by ridiculous exaggeration." [Holman]
 
Calvinism, five points (Puritanism):  1) total depravity of man, 2) unconditional election, 3) prevenient and irresistible grace, 4) perseverance of the saints, and 5) limited atonement
 
Covenant theology (Puritanism): discussion of covenants, or contracts, between God and man; including the Covenant of Work, the Covenant of Grace, and the Puritan Half-way Covenant
 
Deism (Franklin): religion based on reason and the study of nature as opposed to "revealed" religion, belief in a "clocklike" universe set in motion by God; not believing in the divinity of Christ or the inspiration of the Bible [adopted from Holman]
 
Ellipsis (Dickinson):  "the omission of one or more words which, while essential to the grammatic structure of the sentence, are easily supplied by the reader" [Holman]
 
Errata (Franklin): mistakes in life, like mistakes in printing, which could be corrected; as opposed to Puritan "sins"
 
External setting vs interior consciousness (dark romantics):  when physical surroundings reflect or echo the interior struggle or state of mind of a character; for example, a harmless woods can take on the aspects of what is in protagonist's mind, transforming the woods into an evil or horrible place
 
Frame narrative: using a genteel narrator to introduce a vernacular tale; the genteel narrator usually begins and ends the story thereby 'framing' it
 

Frontier/Western movement theme: concept that if things go sour or static in an area or life, one can always move WEST to a better life and land.
 
Harlem Renaissance:  term referring to the attempt of black artists in many media to develop a strong cultural presence in America, both to demonstrate that black artists could equal white artists in their achievements and to articulate their own cultural traditions and values [adopted from the Norton Anthology of American Literature].
 
Initiation theme: when the protagonist grows towards or is initiated into adulthood or certain lessons or truths about life
 
International theme (James): the drama, both comic and tragic, of the newly rich, inexperienced Americans, abroad in Europe [adopted from the Norton Anthology of American Literature].
 
Leitmotif (Whitman): "in literature, an intentional and recurrent repetition of a word, phrase, a situation, or an idea; tends to unify a work." [Holman]
 
Metaphysical poetry (Taylor): poetry "unified by a philosophical conception of the universe and of the role assigned to the human spirit in the great drama of existence"
 
Modernism:  modern writing is marked by a strong and conscious break with traditional forms and techniques of expression; it believes that we create the world in the act of perceiving it.  Modernism implies historical discontinuity, a sense of alienation, of loss, and of despair.  It elevates the individual and his inner being over social man and prefers the unconscious to the self-conscious [Holman].
 
Naturalism: "a method or school of literary composition that aims at a detached, scientific objectivity in the treatment of natural man.  It holds to the philosophy of determinism and believes man is controlled by his instincts or by his social and economic environment and circumstances." an offshoot of realism in the late nineteenth-century [Oxford Companion to American Literature].
 
Organic Literature (American romanticism and transcendentalism):
 -writing opposed to the Deistic, mechanistic, clocklike universe
 -writing which is interconnected, like a spider's web, or plant parts
 -writing showing the material and natural world linked together
 -distinctly American form; depends on American materials as subject

Oxymoron(Dickinson):  "a rhetorical antithesis bringing together two contradictory terms," such as "dazzle gradually" or "sumptuous destitution" [adopted from Holman],

Personae: a mask or identity given to a speaker, narrator or character by the author; "a voice not directly the author's but created by the author and through which he speaks" [adopted from Holman]
 
Picaresque novel (Adventures of Huckleberry Finn): A chronicle, usually autobiographical, presenting the life story of a rascal of low degree engaged in menial tasks and making his living more through his wits than his industry.  Episodic in nature, the picaresque novel is, in the usual sense of the term, structureless.
 
Polar Opposites (Thoreau): a series of oppositions which exist only in the presence of each other which are not self-canceling but which must always be in steadfast opposition to one another
 
Ratiocination (Poe): to reason with formal logic, used in reference to detective stories
 
Realism: "literary composition that aims at an interpretation of the actualities of any aspect of life, free from subjective prejudice, idealism, or romantic color.  It is opposed to the concern with the unusual which forms the basis of romance, but it does not proceed, as does naturalism, to the philosophy of determinism and a completely amoral attitude" [Oxford Companion to American Literature]
 
Residual statement (Thoreau):  summary of text itself, condensation, what's left after burnt away
 
Slave narratives:  autobiographical accounts of slavery by escaped slaves which were published between 1830 and 1860 as part of the abolition movement in America.  Yet, at this time, the black voice was almost always 'authorized' by a "white" abolitionist's introduction [adopted from Holman].
 
Symbol:  multiple representations of the physical standing for the abstract; a concrete object, not "love" or "envy"
 
Tabula Rasa (Edwards): John Locke's theory that each person is born with a "blank slate" of knowledge; as opposed to the Puritan idea of original sin
 
Undulation: a movement in organic literature resembling tides or other natural cycles showing constant flux and return
 
Unreliable Narrator (Poe):  "a narrator or viewpoint character who may be in error in his/her understanding or report of things and who thus leaves the reader without the guides essential to making judgments about the character and the actions without any confidence that those conclusions are those intended by the author" [Holman].
 
Volatile meaning (Thoreau):  what goes beyond writing, will cause action, will go beyond words to the spiritual


These resources provided through Project CROW, Associated Colleges of Illinois, and a generous grant from UPS. Last modified November, 1999 by Dr. Michael O'Conner. Contact: moconner@millikinor Click Here to Email