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Small Town Pleasures
Some
weeks ago I took my daughter and one of her city friends to an
old cemetery tucked into a cleared space on a wooded hilltop some
five miles fromthe village. Halloween was approaching, and I had
sold them on the idea of exploring a "spooky old graveyard."
The sky glowed almost artificially blue, like theblue of a slide
photograph, light flooding overhead and all around, sharpening
the outlines of grave-markers in the shapes of tablets, towers,
houses, obelisks, andpyramids. Some of the oldest stones dated
back to pre-Civil War days. What impressed the girls were the
little humanizing sculptural details, the yoked stonehands of
husbands and wives, the single stony hand with index finger (weather-worn)
still pointing to heaven, the little stone lambs reminding us
that these were members of a very Christian flock. Most touching
of all was the man with his name alone, no date of birth or death,
with a little stone dog atop his marker, suggesting in a painful
way the faithfulness and persistence of deep feelings.
Things seem to hang on here, especially
memories, as well as the small-scale contacts that make real civilization
possible. I like knowing my neighbors, something I could never
do in the University Section of New Orleans, the Upper East Side
of Manhattan, or Hyde Park in Chicago.
We are all in this life together says the graveyard, and it speaks
as eloquently (if silently) as the voices from the most famous
graveyard of the region, the Hill, which belongs to Edgar Lee
Masters' Spoon River Anthology. I feel the essence of small town
voices most in late summer and early fall when the various harvest
festivals occur (celebrating broom, corn pumpkins, apple trees,
and life itself). At the Cowden Pioneer Days ( in rural Shelby
County) I had one of those experiences when, for a few moments
anyhow, one experiences the immense pleasure of understanding
life, or a shimmering sliver of it.
A
gentle rain was falling on the drought-parched earth. We had trooped
through the fair grounds, picking up items at the flea market
(an old clock, an old edition of Huckleberry Finn). A demolition
of a '69 Plymouth station wagon was underway; a teenage boy paid
out good dollars to smash the headlights and windshield . There
was a baby-judging contest, with proud mamas lined up in a tent,
each holding her precious bundle. The sack races went on, rain
or no rain. A garish booth sold computer-generated portraits printed
on T-shirts. Meanwhile, a tomahawk-and-knife-throwing contest
was going on at the edge of the deep woods that enclosed us, towering
trees of maple and oak and hickory, a few leaves here and there
already streaked with yellow. "The leaves are turning early
this year," I overheard someone say to no one in particular.
We went through an old covered bridge and emerged at the sprawling
food tent, sitting down to fried chicken, smoked pork, Cole slaw,
and homemade pie. We shared that forced intimacy of strangers
at the table with a farmer and his wife.
For weeks I had been reading books about Africa and the Third
World, and I thought how revealing this place would be to a third-world
resident, how American everything was. That was when I saw an
old dude in his VFW uniform, olive drab campaign cap, khaki shirt
and trousers of different vintage and washed-out tones. He stood
ramrod straight, waiting his turn for apple pie and fried chicken.
I turned and beheld the carnival rides, now deserted because of
the rain. I was drawn particularly to the huge red hearts, fabricated
of bent tubing and heavy wire, and above them in glowing neon,
the two words Heart Flip. Each heart held a seat, and the whole
group turned over again and again. I sensed a sudden, eerie turning
of the year, the coming to an end of the agricultural season,
the first nip of winter, my own ever-advancing age, my daughter
already ten years old beside me, and the powerful imagery of those
red shapes, swinging back and forth in the cold rain. The warm
fumes of coffee lifted me I stared at the man in his uniform (war
of my childhood, war of my father), pulled my daughter closer
to me on the hard, wooden bench and felt my own heart flip, powered
by its own crazy carnival ride.
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