Haiku Magazine Profile: Presence

 

Millikin University students have researched various magazines publishing haiku and haiku related poetry.

This is a profile of Presence magazine, written by Stefanie Lovelass from the Fall 2002 Haiku Writing Roundtable class.

Presence
Martin Lucas, Editor

http://freespace.virgin.net/haiku.presence

Submission Guidelines:

Presence is seeking haiku, senryu, tanka, renku, haibun and related poetry, all original, unpublished and not under consideration elsewhere. Articles on haiku, artwork in b/w, and books for review are always welcome. We will try to find space to announce haiku events and publications.

We prefer: between 4 and 12 poems in one batch, and only one batch per issue; a batch of haiku on a single sheet – it’s unecological to use a whole A4 sheet for a single haiku; include an s.a.e (+ IRC from abroad) to ensure a reply.

email Guidelines:

My email preferences are: haiku, senryu, tanka or equally short poems only (check with me first before sending anything longer); no more than 6 poems at one time.

In the body of the text, not as an attachment. Subject line: Presence. It is OK to send best-of-issue votes by email. The email address is:

martin.lucas@talk21.com

November 17, 2002

Dear Stefanie,

Thank you for your enquiry. I don't think my submission guidelines will be of much help, since they govern format and presentation rather than content preferences.

On form and content of haiku submissions, the policy is that there is no policy. In principle, style and theme are completely open; so too, layout. In practice my tastes adhere fairly closely to the standards exemplified by the journals of the Haiku Society of America, the British Haiku Society, Haiku Canada, etc., as well as other major haiku journals such as Modern
Haiku, Acorn
and Snapshots.

When giving guidance to those intending to submit, I try to restrict my theoretical pronouncements, although I frequently emphasise the need for the qualities of simplicity, immediacy and presence, with the poem communicating via the chosen images rather than
through any overt expression of thought or feeling (show, don't tell). It is also frequently necessary to stress that the 5-7-5 syllable form is entirely optional and contrived attempts to achieve this form are counter-productive.

However, I would rather the poet discovered such principles through practice, reading and writing, so my usual advice is to purchase a sample issue of Presence, or consult our web site at

http://freespace.virgin.net/haiku.presence

The only thing I think it's necessary to add at this stage is that my personal preference varies from the majority of other haiku editors in that I don't believe in any fixed form or unique genre of haiku in English. Haiku as a distinct genre makes sense only in the Japanese context. In English a haiku can have anything from one to four lines, or, if printed vertically or otherwise unconventionally, it might even take up an entire page. The boundaries with the sister-forms of senryu and tanka are indistinct, as is the boundary with "conventional" poetry. A poem might extend to eight, or even sixteen, lines and still sustain a haiku spirit throughout. In practice such examples are rare, but Presence encourages, rather than excludes, them, as they arise.

I hope all this is useful information with your project. If you have any further questions I will do my best to reply, though I'm not always a prompt e-mailer.

Many thanks,
Martin Lucas
ed. Presence

haiku conferences haiku courses at Millikin Modern Haiku magazine
speakers & readings haiku competitions at MU student renga
student haiku projects published haiku by students links to haiku web sites
student research on haiku haiku by Millikin students directory of haiku magazines

 

© 2001, Dr. Randy Brooks• Millikin University
last updated 8/21/01 • about this web site