Challenging Minds, Changing Lives

Department of Theatre & Dance

December 3-6
at 7:30pm
December 7
at 2:00pm
Pipe Dreams
Studio Theatre
Corner of W. Wood
and S. Oakland
Synopsis | Cast | Crew | Notes

Directed by
Lori Bales
Set Design by
David Dawson
Costume Design by Tiffany Lent, '09
Lighting Design by
David Dawson
Sound Design by
Amy Chisman
by neil labutte
for mature audiences

Cast
evelyn Jenny Guse
adam Kevin White
jenny Kate Hennies
phillip Dion Rice

Crew
Stage Manager
Scott Dibler
Assistant Stage Manager
Brittany Thatcher
Dramaturg
Michelle Buck
Asst Lighting Designer
Bekki Lambrecht
Technical Director
David Dawson
Production Manager
Sarah May
Properties Mistress
Barbara Mangrum
Costume Director
Jana Henry
Costume Studio Manager
Angela Re Holm
Master Electrician
Bekki Lambrecht
Scenic Studio Manager
Dan Derrick
Poster Design
Amy Chisman

Synopsis
When Adam, a quiet, awkward college student, meets Evelyn, a beautiful and interesting art graduate student,
his world is changed forever in shocking ways.

Notes

astonish \?-‘sta¯-nish\ transitive verb
Etymology:…from Anglo-French estoner to stun, from Vulgar Latin *extonare, from Latin ex-+ tonare to thunder…
To set the teeth on edge.
To stun mentally; to shock one out of his wits; to drive stupid, bewilder.
To shock one out of his self-possession, or confidence; to dismay, terrify.
To give a shock of wonder by the presentation of something unlooked for or unaccountable; to amaze, surprise greatly.

(Etymology from Merriam Webster Online, Definitions from OED Online)

Our fall productions have explored over a century of coming of age stories. In all three plays we find strong, capable, astonishing women who are struggling to be heard. Each of these women make choices that shock us with fear or wonder because they defy the mores of their times. The struggle to become is more important than social affirmation.

Little Women looks at the changing roles of women during/after the civil war and is a prominent early feminist work whose inspiration shepherded us from the 19th to the 20th century. Jimmy Dean’s characters come of age during the golden era of the 1950’s, a generation consumed with the illusions of the American Dream as portrayed on the big screen. The Shape of Things, first published in 1991 and republished again in 2003, brings us to today’s post modern generation whose coming of age dawned not only on the new century but on a new millennium.

In Little Women, Jo’s focus is on her future and in Jimmy Dean, Mona is stuck in the glory days of her past, but the characters in Shape are planted firmly in the present, dealing with the overwhelming influence of the media on our perception of who we can or cannot become.

It might be easy to look at Little Women and Jimmy Dean with eyes clouded by nostalgia and forget that the actions of these women were surprising and full of wonder - but at the time they were defying social gravity, so to speak. Because it is current and the issues are close to us, The Shape of Things asks us to take a good hard look at ourselves and the waters in which we navigate our lives today. Like Evelyn, we hope that “perhaps [we] can make you question [the] system and your values just a little bit.”

“Well, if she asked you to jump off a bridge, would you?”
- my mother, your mother, all mothers everywhere

--Lori Bales, Director