Millikin-Decatur Symphony Orchestra

The Millikin-Decatur Symphony Orchestra is an ensemble comprised of faculty, hired professionals, and is open to students who successfully audition for the Millikin University School of Music. The MDSO performs an annual Labor-Day Pops Concert, 5 Masterworks Concerts, Advent Services, and hosts high-profile guest artists and concerto/aria competition. Selected students also have the opportunity to play for Musical Theatre productions and various community and educational events. Membership in MDSO places a high demand on students who gain hands-on experience by playing side-by-side with faculty and other professionals in a nurturing environment.

Millikin Chamber Orchestra

Millikin Chamber Orchestra is primarily a student ensemble and is dedicated to providing high-quality training through exposure to an immense body of orchestral literature. Rehearsals are MW (7:15-9:45 p.m.) and membership is open to all Millikin students through audition. There are no restrictions on those playing a string instrument, but those playing wind, brass, and percussion, must be recommended by studio teachers.

Staff

Sergey Bogza, Music Director and Conductor
sbogza@millikin.edu |(217) 424-3774

Georgia Hornbacker, Violin
ghornbacker@millikin.edu | (217) 424-6302

Sharon Chung, Viola
schung@millikin.edu | (217) 424-6307

Amy Catron, Cello
acatron@millikin.edu | (217) 424-3522

Christopher Nolte, Bass
cnolte@millikin.edu | (217) 424-3535

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Common Questions

How can I get into the Millikin-Decatur Symphony Orchestra and Millikin Chamber Orchestra?

If you audition successfully for the Millikin University School of Music on violin, viola, cello, or orchestral bass, you will automatically become part of the orchestra program.  No further audition is necessary.

What if I play a wind or percussion instrument?

If you are a music major or minor on a woodwind or brass instrument, your required major ensemble will always be the Concert Band or Symphonic Wind Ensemble.  However, you may also play in the orchestra upon placement by your studio teacher.   Percussionists rotate between Band, Wind Ensemble, and Orchestra.

What if I won’t be majoring in an orchestral instrument, but I’d like to keep up my playing?

If your primary medium is voice, piano, guitar, or some other non-orchestral instrument, you may still be able to play in the orchestra as an elective.  Violinists, violists, cellists, and bassists play an audition for the conductor.  If you play woodwind, brass, or percussion, you must be placed by the studio teacher.

What if I’m not going to major in music at all?

All Millikin students are eligible to audition for the orchestra on string instruments.  Wind, brass, and percussion players must be placed by the performance faculty.

Is financial aid available for playing in orchestra if it’s not my major instrument?

If you play an orchestral instrument, we encourage you to schedule an audition for the School of Music, regardless of your intended major.  Talent awards for ongoing and successful contributions to Millikin’s instrumental ensembles are available to all students.

Is the orchestra open to community players?

Per-service positions are available to qualified freelance musicians. Contact Dr. Sergey Bogza to schedule an audition.

What works have been performed by the Orchestra recently?

Barber
Beethoven
Brahms
Bruckner
Colgrass
Copland
Debussy
Dvorak
Elgar
Faure
Haydn
Mahler
Mendelssohn
Moravec
Mozart 
Mussorgsky
Ravel 
Rhodes
Saint-Saens
Schumann
Shostakovich   
Sondheim
Strauss 
Stravinsky
Tchaikovsky 
Verdi 
Wagner 
Walker
Warshauer

Knoxville, Summer of 1915
Symphonies Nos. 3,5,6,7, and 9, Piano Concertos Nos. 1,3,5
Symphony No. 4, Haydn Variations, Serenade in A, Piano Concerto No. 1
Psalm 150
As Quiet As
Tender Land Suite, Appalachian Spring Suite, Old American Songs
Nocturnes, Afternoon of a Faun
Cello Concerto, Symphony No. 9
Enigma Variations
Requiem
Creation, Nelson Mass, Symphony No. 81
Symphonies Nos. 1,2,4, and 5
Symphony No. 4
Songs of Love and War
Requiem, Symphonies Nos. 26, 41
Pictures at an Exhibition
Tombeau de Couperin, Pavane, Mother Goose Suite
Reels and Revelries
Symphony No. 3
Symphony No. 3
Symphony No. 5
Sweeney Todd
Death and Transfiguration
Rite of Spring
Symphony No. 4, Violin Concerto, Nutcracker
Requiem
Selections from Meistersinger, Tannhauser, and the Ring
Light of Three Mornings, Autumn Leaves
Jerusalem, Open your Gates 

 

Our History

The Orchestra was created by the convergence of an established community orchestra with the Millikin University Orchestra in the early 1920’s. The scope of the Symphony’s services and activities were expanded in 1975 with the formation of the Symphony Guild of Decatur, a non-profit support organization representing the wider community. This partnership has allowed the MDSO to provide an ever-expanding galaxy of cultural benefits to central Illinois in the last quarter century, including symphony concerts, the co-sponsorship of the Decatur Youth Orchestra, youth scholarships for private lessons and summer music camps, in-school programs, a competition for University soloists, clinics, workshops, master classes with guest artists, and partnerships with the music programs at area schools. For the first two decades of this period, the orchestra was conducted by the successive Deans of the Millikin University School of Music, Ronald Gregory and Wesley Tower.

An important new stage of growth began in 1996 with the creation of a full-time position for a professional Music Director and Conductor, a position that was filled with the appointment of Dr. Michael Luxner. Since that time, the orchestra has converted from a college-community model to a fully auditioned professional model. Working conditions, pay scale, rehearsal schedules, travel allowances, and repertoire are now on a par with other professional ensembles in the region, and the orchestra’s student members are trained in a professional environment and standard of performance.

The MDSO is also intensely engaged in efforts to build new audiences and to raise the Orchestra’s profile in the wider community. Initiatives in this area include outreach concerts, media appearances, contract services, publications, speaking engagements, and new partnerships with underserved constituencies. Building on a venerable history and unique spirit of the town and gown cooperation, the Millikin-Decatur Symphony looks forward to a distinguished future of artistic achievement and community pride.

Orchestra Events

FEB 4, 2017, 7:30pm | KFAC

MILLIKIN-DECATUR SYMPHONY ORCHESTRA
MASTERWORKS III – A Voyage of Discovery: Space and Fast Machines

PROGRAM

Adams: Short Ride in a Fast Machine
Milhaud: Concerto for Percussion & Small Orchestra
JEREMY BRUNK, percussion soloist
Holst: The Planets

This concert brings together music that looks to the future and beyond our imagination into the Universe. In Milhaud’s Concerto for Percussion and Orchestra, Jeremy Brunk plays a multitude of percussion instruments depicting sounds of military and rainforest, creating vivid and mysterious moods. Hovhaness’ evocative Meditations on Orpheus takes us to the underworld, while Holst’s masterwork takes us on a journey through space.

 

MAR 4, 2017, 7:30pm | KFAC

MILLIKIN-DECATUR SYMPHONY ORCHESTRA
MASTERWORKS IV – Young Artists and

Shostakovich Symphony No. 15

PROGRAM

Antonio Vivaldi: Flute Concerto No 3 in D major, RV 428, Il gardellino 

Emily Hill, flute

Joaquín Rodrigo: Cuatro Madrigales Amatorios  

Tess Slack, soprano

Ludwig van Beethoven: Piano Concerto No.1, Op.15, Movement I

Leah Wier, piano

Shostakovich: Symphony No. 15 in A Major, Op. 141 

Shostakovich’s Symphony No. 15 (his last) is a surreal exposition where nothing is quite as it seems, where quotations from music of Rossini, Wagner, and Glinka, take us on an existential journey into the beyond. This concert also features winners from Millikin’s Young Artists Competition.

 

APR 22, 2017, 7:30pm | KFAC

MILLIKIN-DECATUR SYMPHONY ORCHESTRA
MASTERWORKS V – Symphonic Revolutionaries

PROGRAM

Beethoven: Piano Concerto No. 3, Op. 37
SILVAN NEGRUTIU, piano
Rautavaara: Cantus arcticus
Beethoven: Symphony No. 3, Op. 55 (Eroica)

Silvan Negrutiu’s performance of Beethoven’s Piano Concerto No.3 is contrasted by Rautavaara’s ethereal Cantus arcticus, a piece that incorporates tape recordings of bird songs recorded near the Arctic Circle and on the bogs of Liminka in northern Finland. You won’t want to miss Beethoven’s confrontational Symphony No. 3, a piece that caused a sensation and changed the idea of what a symphony could be.

 

May 2, 2017, 6:00pm | DECATUR PUBLIC LIBRARY

MILLIKIN CHAMBER ORCHESTRA
LULLABY CONCERT

A concert for the youngest of symphony goers - a collaboration between Baby TALK, Millikin composition students, and Millikin Chamber Orchestra. Free and open to the public.